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Read online Certaines n'avaient jamais vu la mer - Prix Femina Etranger 2012 (Littérature étrangère) (French Edition).pdf PDF, EPUB, MOBI, TXT, DOC Certaines n'avaient jamais vu la mer - Prix Femina Etranger 2012 (Littérature étrangère) (French Edition) Japon Un bateau quitte l Empire du Levant avec son bord plusieurs dizaines de jeunes femmes promises des Japonais travaillant aux tats Unis toutes mari es par procuration la fa on d un ch ur antique leurs voix s l vent et racontent leurs mis rables vies d exil es leur nuit de noces souvent brutale leurs rudes journ es de travail dans les champs leurs combats pour apprivoiser une langue inconnue l humiliation des Blancs le rejet par leur prog niture de leur patrimoine et de leur histoire Une v ritable clameur jusqu au silence de la guerre Et l oubli .

b Prix Femina tranger b by Julie Otsuka, Carine Chichereau

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Certaines n'avaient jamais vu la mer - Prix Femina Etranger 2012 (Littérature étrangère) (French Edition)
Title:Certaines n'avaient jamais vu la mer - Prix Femina Etranger 2012 (Littérature étrangère) (French Edition)
Format Type:eBook PDF / e-Pub
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Category:Historical fiction, Fiction, Japan, Historical
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Da anni ha dichiarato Julie Otsuka volevo raccontare la storia delle migliaia di giovani donne giapponesi le cosiddette spose in fotografia che giunsero in America all inizio del Novecento Mi ero imbattuta in tantissime storie interessanti durante la mia ricerca e volevo raccontarle tutte Capii che non mi occorreva una protagonista Avrei raccontato la storia dal punto di vita di un noi corale di un intero gruppo di giovani spose br br br br Una voce forte corale e ipnotica racconta dunque la vita straordinaria di queste donne partite dal Giappone per andare in sposa agli immigrati giapponesi in America a cominciare da quel primo arduo viaggio collettivo attraverso l oceano su quella nave affollata che le giovani ignare e piene di speranza si scambiano le fotografie dei mariti sconosciuti immaginano insieme il futuro incerto in una terra straniera A quei giorni pieni di trepidazione seguir l arrivo a San Francisco la prima notte di nozze il lavoro sfibrante la lotta per imparare una nuova lingua e capire una nuova cultura l esperienza del parto e della maternit il devastante arrivo della guerra con l attacco di Pearl Harbour e la decisione di Franklin D Roosevelt di considerare i cittadini americani di origine giapponese come potenziali nemici br br Fin dalle prime righe la voce collettiva inventata dall autrice attira il lettore dentro un vortice di storie fatte di speranza rimpianto nostalgia paura dolore fatica orrore incertezza senza mai dargli tregua Un altro scrittore avrebbe impiegato centinaia di pagine per raccontare le peripezie di un intero popolo di immigrati avrebbe sprecato torrenti di parole per dire cos il razzismo Julie Otsuka ci riesce con queste essenziali preziose pagine, The Best American Series br First Best and Best Selling br br The Best American series is the premier annual showcase for the country s finest short fiction and nonfiction Each volume s series editor selects notable works from hundreds of magazines journals and websites A special guest editor a leading writer in the field then chooses the best twenty or so pieces to publish This unique system has made the Best American series the most respected and most popular of its kind br br i The Best American Short Stories i includes br br Nathan Englander Mary Gaitskill Roxane Gay Jennifer Haigh br Steven Millhauser Alice Munro Lawrence Osborne Eric Puchner br George Saunders Kate Walbert and others br br, Julie Otsuka s long awaited follow up to i When the Emperor Was Divine i is a tour de force of economy and precision a novel that tells the story of a group of young women brought from Japan to San Francisco as picture brides nearly a century ago br br In eight incantatory sections i The Buddha in the Attic i traces the picture brides extraordinary lives from their arduous journey by boat where they exchange photographs of their husbands imagining uncertain futures in an unknown land to their arrival in San Francisco and their tremulous first nights as new wives to their backbreaking work picking fruit in the fields and scrubbing the floors of white women to their struggles to master a new language and a new culture to their experiences in childbirth and then as mothers raising children who will ultimately reject their heritage and their history to the deracinating arrival of war, Chapter from The Buddha in the Attic